Reportage from the Aesthetic Edge

Randall Packer

Menu

Skip to content
  • Who am I?
  • Where am I?
    • Facebook
    • Twitter
    • Instagram
    • Flickr
    • Vimeo
    • YouTube
  • XTreme TRUMPology
  • Archival
    • Posts Über Archive
    • Categorically Speaking
    • Topical Motifs
      • Artist Profiles
      • NetArtizens
      • Encounters with the Post Reality
      • Multimedia Catalysts
      • Open Source Studio
      • The Artist as Mediator
      • The Third Space
      • Episodes & Situations
    • My Clouded Mind

The Artist as Mediator

The artistic insertion of ideas, media, and models of change into divisive social and political issues.

  • Wall of Mediation (1/11/2019)
  • New Year’s Greetings from the Bunker (1/1/2019)
  • An Ode to Madness on an Apocalyptic Xmas Eve (12/24/2018)
  • Composing THE MEDIA (11/19/2018)
  • Paradise Lost (11/13/2018)
  • Living in the Future Present (10/20/2018)
  • Raw Hope for Humanity Rising (9/29/2018)
  • A Manifesto for the Underground Studio Bunker (7/15/2018)
  • Are We Losing the Info War? (12/10/2017)
  • We are Active Participants in the Videosphere (11/4/2017)
  • Video as Radical Software (9/16/2017)
  • An Electronically Infused Moment of Rupture and Social Transformation in the 1960s (9/9/2017)
  • Transmission to the People (9/1/2017)
  • The Presidential Family Crime Syndicate (7/16/2017)
  • The Broadcast as Social Act (6/25/2017)
  • Reordering the Broadcast (6/20/2017)
  • The Aggregated Disorder of the Socially Broadcasted Space (6/15/2017)
  • Channeling the #NeWWWorlDisorder (6/2/2017)
  • A History of Optimism for Dark Times (2/25/2017)
  • The Attack of the Real (2/7/2017)
  • One Million Acts of Mediation (1/23/2017)
  • We Must Now Become a Media Weapon of Disinformation (1/16/2017)
  • Requiem for Truth (1/14/2017)
  • Emergency Broadcast System ::: This is Not a Test (11/27/2016)
  • The Death of Reality (11/25/2016)
  • President TRUMP: Only in the Post Reality (11/9/2016)
  • Screwed by the Weiner (10/30/2016)
  • TRUMP Bunker Control (10/28/2016)
  • The Revolution will be Broadcasted via Facebook Live (10/20/2016)
  • The Slings and Arrows of Outrageous Misfortune (10/15/2016)
  • It’s Us Against the World (10/12/2016)
  • The Erosion of the Real (9/28/2016)
  • The Deplorables (9/13/2016)
  • A Match Made in Hell (8/18/2016)
  • License to Kill (8/10/2016)
  • Episodic Drama of the Real Delegates of Cleveland (7/22/2016)
  • Total Theater at the RNC (7/19/2016)
  • The Image of Terror (7/15/2016)
  • The Crack in America (7/12/2016)
  • The Revolution is Being Net Broadcasted (6/23/2016)
  • The TRUMP Virus (6/16/2016)
  • What Is Coming Is Even Worse (4/26/2016)
  • O Lord Jesus, Redeem Me! (Or Ream Me!) (4/25/2016)
  • Disruption of the Broadcast (4/22/2016)
  • Living in a Make Believe World (3/26/2016)
  • Internet Radio: Anywhere Anytime Anyone Anything (3/22/2016)
  • The Violence of Disinformation (3/15/2016)
  • Lovely Illusion (3/12/2016)
  • Nothing is Real (3/1/2016)
  • The Primal Fury of TRUMP (2/25/2016)
  • Virtual Handshake in the Post Reality (2/19/2016)
  • Is TRUMP Real? (2/10/2016)
  • Third Space Network: Theatrical Roots (12/25/2015)
  • The Artist-Broadcaster Takes Control (12/19/2015)
  • The Wild West (12/5/2015)
  • The Social Memoir (10/10/2015)
  • To Be an Iconoclast in the Land of the Living Dead (9/29/2015)
  • The Open Source Pope (9/24/2015)
  • The TRUMP Show (8/8/2015)
  • Media Deconstruction (7/26/2015)
  • Videofreex Chronicles #2: Make Your Own TV (7/18/2015)
  • Videofreex Chronicles #1: TV as Social Media (7/13/2015)
  • Beyond the Suspension of Disbelief (5/26/2015)
  • My Autobiographie(s) (5/3/2015)
  • Fire, Death, Beauty & Bali (2/1/2015)
  • The Art of Mediation & the Price of Freedom (1/9/2015)
  • Why we are NOT a Christian Nation (1/1/2015)
  • The (Simulated) Death of Kim Jong Un (12/22/2014)
  • The Post Reality Ends Here (12/20/2014)
  • La Dolce Vita Digitale (11/28/2014)
  • Dante’s Studio Bunker (11/27/2014)
  • The Greatest Show on Earth (11/26/2014)
  • The Spectacle Stripped Bare (11/23/2014)
  • Umbilical to the Underworld (11/22/2014)
  • Painting with Data (11/2/2014)
  • The Underworld of the Artworld (10/19/2014)
  • The Cloud of Unknowing (9/1/2014)
  • The Art of Disruption (6/1/2014)
  • A Socially Revolutionary Metamedium (5/1/2014)
  • Digital life in the bombed out fast lane (4/24/2014)
  • Television is my Medium (3/3/2014)
  • Mad as Hell (3/2/2014)
  • The Post Reality Show Returns (and its cold down there) (12/8/2013)
  • How to Rearrange one’s Psyche in Order to Anticipate the Next Blow (12/1/2013)
  • Not realistic, it’s “Realesque.” (12/1/2013)
  • I Aspire to Bring Together Everything I have ever Thought and Created (12/1/2013)
  • Every moment presents itself as a situation, to be expanded into a comedy (11/30/2013)
  • We Were Forever Changed that Day (11/23/2013)
  • The Omnipresence of distributed learning (11/21/2013)
  • Uber-Commercialism (11/19/2013)
  • Mashup for the Shutdown installment #3: the toxic remains (10/17/2013)
  • Mashup for the Shutdown installment #2 (10/11/2013)
  • Mashup for the Shutdown installment #1 (10/10/2013)
  • The art of media noise (10/5/2013)
  • Building a Career on the Backs of the American People (10/1/2013)
  • The Descent of Nightfall on the Nation’s Capitol (9/29/2013)
  • Political Performance Art for the Post Reality (9/26/2013)
  • The workflow of the totality of all things (9/12/2013)
  • An I/O manifesto (9/2/2013)
  • Glitch for the mill (7/20/2013)

Searching is Good

Reportage from the Aesthetic Edge

Randall Packer © 2019
Zakros