Radical Software would not present itself self-consciously as an art magazine, but rather as a form of social activism and environmental sculpture. It would be a forum, a video craft how-to-magazine for the fearless, a rudimentary marketing and distribution system for the burgeoning community, and a journal of philosophical speculation and political opinion for all who shared their vision. – David Ross, Radical Software Redux
In the latter 1960s, the socially-transformative, radical surge of the counter-culture movement met head-on with the birth of a new technological medium: portable video. More precisely, it was the Sony DV-2400 Video Rover (known as the Portapak), which was introduced to the market in 1967, making its way into the hands of artists, alternative documentarians, media collectives, and activists: essentially undermining and rupturing the centralized nature of traditional broadcast television.